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Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

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It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

Sweet smells: Cyril’s Success @Finborough

The Finborough Theatre, celebrating its 150th year in 2018, is presenting a series of plays also first produced in 1868. This time around it’s Cyril’s Success by H.J. Byron. It’s a funny semi-autobiographical take on marriage and life at the theatre from a resident playwright. Well, resident in nearby Brompton Cemetery. 

Byron may be largely forgotten today, but he was big in the mid-Victorian era. Here the fun in this piece comes from making much out of a simple premise of mistaken identity and the vagaries of marriage. 

Cyril (Tim Gibson) is at the peak of his fame and power as a playwright, novelist and newspaper writer, when his wife (Isabella Marshall) leaves him. She read a letter sent to one of Cyril’s friends thinking it was for her husband. It all ends well of course. But not before Cyril has a string of flops, falls ill and briefly ends up living a life of bohemian squalor. 

Stirring up the insanity are two supporting characters. Susan Tracy as the husband-hating Miss Grannet is hilarious as a the scheming woman “on the shady side of 40.” Stephen Rashbrook is just as good as the jaded critic and self-declared bachelor Mr Pincher. 

This is the first London production in 127 years and it’s another fascinating piece that captures a part of life in mid-Victorian London.

It’s style, which includes various asides to audiences might not be to modern tastes. But this production still has plenty of laughs as it takes shot at Victorian artists, marriage and infidelity. Under the direction of Hannah Boland Moore things are kept at a brisk pace. 

It’s mostly sold out in it’s run at the Finborough which concludes on 20 February. But with the various scene changes across mid-Vcitorian artists homes and clubs, this is a production that also feels like it could do with a West End transfer and a bigger stage to exploit the potential of the piece.

⭐️⭐️⭐️⭐️


Photos by Scott Rylander

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