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Brief awakenings: White Rose The Musical @MaryleboneTHLDN

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A fascinating and daring act of defiance in Nazi Germany by a group of university students in Munich is given a slightly perplexing rock musical treatment in White Rose, the musical. Something seems amiss in this earnest and occasionally tuneful show. It lags more than it inspires, which is surprising given the tragic and compelling history of the real-life characters the show depicts. Given that young people are increasingly likely to vote for far-right parties across Europe, it’s an opportunity to look at a time when they had a different perspective on the future. Perhaps something has been lost in the translation or the larger space of the Marylebone Theatre where it plays.  The White Rose were a group of university students in Munich who sought to undermine the Third Reich through publication of a series of pamphlets urging passive resistance to the Nazi regime. Over a brief period between June 1942 and February 1943, they distributed their pamphlets across campus using ...

Once more without feeling: Again @Trafstudios

The nuclear family seems to be a little unstable in Again. Presented by Mongrel Thumb, Stephanie Jacob’s intriguing new play explores the underbelly and soft belly of family relationships. Just as you think everyone’s coming together they explode into rage. Or crack a bad joke. And then they do it all over again. But with less rage, more rage or acceptance. It’s currently running at Trafalgar Studios.

Presented as a family reunion after a period of estrangement, nothing is what it seems to be. Scenes start and then restart as multiple perspectives play out. Is it the mother’s wish, the son’s wish, the father or the daughter? In the end you can’t be sure any of it happened. But slowly it pieces together a story of fractured family determined to get things right. Or get their own way. 

Tom (Chris Larkin) has deserted his wife Louise (Natasha Little) for a younger woman. Their son (Charles Reston) spends most of his life in the library and studies poetry. Their daughter (Rosie Day) is a free spirit dating her brothers friend while partying and having a good time.

This sets the scene to cover past history, settle scores and right wrongs. Is there a reconciliation on the cards, or is it all an illusion? The cast keep things focussed as they pause, repeat and reframe old wounds and old jokes.

Designer Anthony Lamble as created a simple family room for the downstairs studio. But it becomes the  dining room, waiting room or war room. 

Perhaps with it’s running time of 75 minutes there isn’t much time to explore the family too much. But thanks to the performances and the brisk pace it holds your attention all the same. 

Directed by Hannah Price, Again is at Trafalgar Studios until 3 March.

⭐️⭐️⭐️⭐️



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