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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Mad as hell and serving Cava: Derailed @Ovalhouse

Sometimes the best laid plans go awry. But when life gives you lemons make lemonade. Or in the case of Derailed at Oval House, make gazpacho. And serve Cava. 

The premise is that in the post-Brexit UK, they are heading back to Spain. But rather than leave downtrodden and defeated, they’re going to stage the mother of all leaving parties. 

The music blares, the party poppers fly and the party begins.

The piece opens with a series of photos from Patricia and Mercè‘s 12 years living in the UK. With the grey skies and dismal towns you start thinking Brexit wasn’t the only reason for their decision to leave.

And with a series of improvised scenarios you’ll find yourself live tweeting a petition, having a long hug with a complete stranger. Or wearing an unconvincing wig holding a banner protesting something. Along they way they chart some of their life in London and in Spain. 

The premise of Patricia Rodríguez and Mercè Ribot‘s work is to use physical theatre and improvision to create something funny and engaging. It’s sometimes silly but it’s always fascinating to watch.

Here they have turned 12 years of struggle into a celebration about what is great about life. Wherever you may be. And although the party in London may be ending, you get a sense they’ll continue the  party wherever they go.

Derailed is at Oval House Theatre as part of there Spring Season. It concludes on 3 March. Next up is This Restless State where in 2052 Europe is ravaged by a continental war and a referendum. The season concludes with Coconut, a comedy that challenges assumptions about Islam with a modern Muslim woman looking for love. 

⭐️⭐️⭐️⭐️

Photos by Ben MacIntosh

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