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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Mad as hell and serving Cava: Derailed @Ovalhouse

Sometimes the best laid plans go awry. But when life gives you lemons make lemonade. Or in the case of Derailed at Oval House, make gazpacho. And serve Cava. 

The premise is that in the post-Brexit UK, they are heading back to Spain. But rather than leave downtrodden and defeated, they’re going to stage the mother of all leaving parties. 

The music blares, the party poppers fly and the party begins.

The piece opens with a series of photos from Patricia and Mercè‘s 12 years living in the UK. With the grey skies and dismal towns you start thinking Brexit wasn’t the only reason for their decision to leave.

And with a series of improvised scenarios you’ll find yourself live tweeting a petition, having a long hug with a complete stranger. Or wearing an unconvincing wig holding a banner protesting something. Along they way they chart some of their life in London and in Spain. 

The premise of Patricia Rodríguez and Mercè Ribot‘s work is to use physical theatre and improvision to create something funny and engaging. It’s sometimes silly but it’s always fascinating to watch.

Here they have turned 12 years of struggle into a celebration about what is great about life. Wherever you may be. And although the party in London may be ending, you get a sense they’ll continue the  party wherever they go.

Derailed is at Oval House Theatre as part of there Spring Season. It concludes on 3 March. Next up is This Restless State where in 2052 Europe is ravaged by a continental war and a referendum. The season concludes with Coconut, a comedy that challenges assumptions about Islam with a modern Muslim woman looking for love. 

⭐️⭐️⭐️⭐️

Photos by Ben MacIntosh

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