Featured Post

Two Ladies: La Bella Bimba at Barons Court Theatre / Canal Cafe Theatre

Image
T hey sing. They dance. They clown around. They even wash clothes! Such is the story of La Bella Bimba, part of the Voila Theatre Festival, which highlights new and emerging artists. A tale of two Italian ladies who land in 1920s New York, trying to break into Broadway without speaking a word of English. It’s harmless, primarily even if a little nonsensical, and is currently playing as part of the Voila! Theatre Festival .  I caught the performance at the Barons Court Theatre , where the intimate setting created an evocative atmosphere reminiscent of dark New York alleyways. The space was almost claustrophobic with a distinct smell of rising damp, making you feel immersed in the story of two Ladies hanging around the theatre doors of Broadway. On the plus side, the theatre has some of the most comfortable seats you will find in any pub theatre in London. As the naive and hopeful singers, Co-creator Lucrezia Galeone as Carlotta and Sarah Silvestri as Cecilia are fine singers with co...

Carmen follies: Carmen 1808 @TheUnionTheatre

Carmen died twice for me last week. The first time at the Royal Opera. Barrie Kosky’s black, minimalistic yet infuriating production of Carmen has large chunks of plot read to you in French. The effect stops the action dead and bores the audience to death. 

Then there was this Union Theatre production. Here in Carmen 1808, Carmen’s working for the resistance and standing up to the French during the atrocities of the Peninsular War. But it’s a passionless 90 minutes of political posturing. 

The inspiration has been taken from the Goya’s Los fusilamientos del tres de mayo. There’s probably a great story about Goya and his transition to his black period. But it would have been nice to leave Carmen out of all that. 

Bizet’s Carmen is sensual and sexy. Sexual politics not hard politics is what’s at stake. Here it’s given a flat musical treatment that feels part Les Miserables and part Allo Allo. Gypsies join the partisans to support the king, the ladies work in a cigarette factory (despite not being invented for another 50 years). It’s all a bit preposterous. 

Most of the performers seem miscast. Rachel Lea-Gray as Carmen seems to seduce Captain Velarde (Maximilian Marston) like she was inviting him over for tea and scones. When he in return declares his love for her it comes as a shock given the lack of any obvious chemistry between the two. 

At least there is some lively dancing from the ensemble choreographed by Adam Haigh and set to Bizet’s prelude.

The production attempts to draw out the relevance to today’s Catalan independence. But I saw other parallels. With the French depicted as evil and the Spanish as stupid, it feels like as a very English depiction of Europe. Perhaps it is a perfect show for our post Brexit times. 

Directed by Phil Willmott as part of the Essential Classics season, Carmen 1808 is at The Union Theatre until 10 March.

⭐️⭐️


Photos by Scott Rylander

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...