Featured Post

Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

Image
It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

Small yet perfectly formed: King Tut A Pyramid Panto @KingsHeadThtr

Christmas is coming and so that means that pantomime season is in full swing. Charles Court Opera is back at the Kings Head Theatre with their off-kilter take on the panto genre with King Tut, A Pyramid Panto. Pared back so it’s called a “boutique panto” this one is small but perfectly formed with cheap laughs, a weird plot and some fine singing.

Set in the Valley of the Kings, a small troupe of explorers are about to open up King Tut’s tomb only to find themselves whisked back in time to when King Tut ruled with his pal... Who just happens to be a talking Camel.

Heading up the troupe is the dastardly Lord Conniving (John Savournin), his ward Evelyn (Francesca Fenech) and Carter the explorer (Matt RJ Ward). Alys Roberts as King Tut and Philip Lee as the Camel round out the cast.

For a small cast the plot is mind boggling at times. Carter is in love with Evelyn but can only express his feelings through flatulence. Evelyn wants to be an explorer so goes dresses up as a man. King Tut wants to have fun. Lord Conniving just wants to be well... Conniving... Cue plenty of boos and hisses from the audience determined to enjoy themselves regardless of the story.

But the cast sound terrific under the musical direction of David Eaton. And Savournin as Lord Conniving, bearing a slight resemblance to real life pantomime villain Jacob Rees-Mogg, adds to the amusement. Especially as he dons various increasingly implausible disguises to achieve his conniving aims. The disguise as a very comfy arm chair with a glass of sherry was a particular highlight of the evening.

Adults might have to explain themselves to the younger children why singing a song about a camel toe is so hilarious. And there are enough groan out loud gags to amuse the more innocent members of the audience.

Directed by John Savournin, King Tut - A Pyramid Panto runs until Saturday 6 January. Matthew Keller plays Lord Conniving on select nights during the run. Charles Court Opera is back at the King’s Head Theatre in March 2018 with The Mikado.

⭐️⭐️⭐️⭐️


Production photos by William Knight

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...