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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Christmas in Hull: FCUK’D @BunkertheatreUK

FCUK’D at The Bunker is a an alternative Christmas theatre experience about life on the margins of British life.

A teenage boy kidnaps his little brother and they run away. Escaping their grim council flat, daily run-ins with the authorities and in search of something better than this in the lead up to Christmas.

Estimates put it at around 100,000 children run away from home every year. This piece unpacks some of the reasons why. Dad is gone. Mum is either drinking or comatose. Nobody cares about them and so they’re going to have some fun. They steal crisps from the supermarket. They steal a car. And then they burn it for warmth.

Written and directed by Niall Ransome, the story is told in verse. Ransome took inspiration from his experiences growing up in Hull.



It’s delivered convincingly by Will Mytum as the troubled youth. He engages you through it’s short duration. Pacing about the stage, eyeing the audience, brining to life this tale about never getting a break.

The stage is a square of astroturf that resembles some neglected games area on a council estate. Leaves are piled in corners and a faulty street lamp partially lights the way. The perfect setting for trouble to emerge from the shadows.

Running at under an hour its a compelling alternative Christmas tale about the great British divide. Or

FCUK’D concludes at The Bunker from 27 to 30 December

⭐️⭐️⭐️

Photos by Andrea Lambis

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