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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Smirking out loud: The Diary of a Nobody @KingsHeadThtr

The Diary of A Nobody returns to the Kings Head Theatre for a short run over the next few weeks. Rough Haired Pointer’s reimagining of the classic Victorian lower middle class tale was a hit a few years back. First at the White Bear Theatre and then at the Kings Head.

But something seems amiss this time around. The comedy seems strained and the pacing a little slow. At best it elicits smirks out loud rather than belly laughs.

I recalled it being it funnier and full of energy, allowing you to overlook some of the more curious interpretations of the source material. This includes the decision to have an all-male cast play a range of female roles.


The Diary of A Nobody is a fictional diary of Charles Pooter (played by a deadpan Jake Curran). A clerk in late-Victorian London living in Holloway by the railway line. So the landlord gave him a discount. It’s a tale of trivial triumphs and social climbing with his wife and wayward son. There’s the run-ins with the maid and the ironmonger; the invitation to the meet the Lord Mayor and the champions of industry. No faux-pas or embarrassing encounter is overlooked.

There’s much to cover in this adaptation so characters run in and out, with only so much as a small hat to differentiate them. This means there there isn’t much time for character development. And taking things slower doesn’t help to bring it closer to the source material.

Still there are some nice touches in the piece. The production looks great with design inspired by the cartoons that accompanied the story when it was first published. And production company Rough Haired Pointer has a reputation for producing quirky and unique pieces of work. Too bad it seemed funnier before... 

Directed by Mary Franklin, The Diary of A Nobody runs at the Kings Head Theatre until 18 November.

⭐️⭐️⭐️

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