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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Rubbing the wrong way: The Red Lion @Trafstudios


Patrick Marber commented that his play The Red Lion dramatises something about England. One part is about community and belonging, and the other part is about business. But it also could be about not being terribly good at the sport, either in playing it or managing it unless you're importing it. It's currently playing downstairs at Trafalgar Studios.

It's a locker room comedy-drama set in a semi-professional football club in the north. Kidd (Stephen Tompkinson) as manager has spotted Jordan's (Dean Bone) potential and puts him on as a reserve. But his real plan is to transfer him to another team. With a transfer, he and the club stands to gain financially.


Yates (John Bowler) was initially a great player for the team but now is reduced to preparing the team's kit. Over a rub down, he explains he wants to be a mentor to Jordan and understand the history and traditions of the club.

Alas neither Kidd nor Yates realise until its too late that their protege - despite his apparent unwillingness to bend any rules - is not who he seems to be.  Life (and injuries) get in the way.

It's fun watching the three men spar over football, traditions ambition and business. The performances are strong and there's a nice balance between humour and tragedy here as things don't go to plan despite all their best intentions.

The locker room drama The Red Lion works well in the downstairs space of Trafalgar Studios. As you walk in Yates is ironing the kit. It feels like you're in the locker room of some enduring club. In a way you are.

Directed by Max Roberts, The Red Lion is at Trafalgar Studios until 2 December

⭐︎⭐︎⭐︎⭐︎


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