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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Mixed race privilege: White @ovalhouse


I always knew what I was. I was mixed race. I was... And so begins Koko Brown’s monologue White. It’s about being mixed race and being an outsider and growing up in modern Britain dealing with labels when sometimes none really fit.

It’s currently playing at the Ovalhouse Theatre as part of its Autumn Series of shows.

Koko Brown uses spoken word, live vocal looping and multimedia to create a powerful and compelling statement on how we view people.


Whether it’s the black girl in the corner, who like’s Panic! At the Disco. Who doesn’t get why she’s always cast as Scary Spice. Who stumbled onto a Black Lives Matter march.

The vocal looping creates a series of songs to comment on the various stages of her young life.


It’s fascinating for both it’s assured performance and uncertainty with what happens next.

It would make a great double bill with  Joe Sellman-Leava’s piece Labels.

In the meantime, you can catch it at the Ovalhouse until 25 November.

Next up at the Ovalhouse is The Sex Workers Opera, which combines theatre and music to showcase the lives of sex workers... Warts and all (or so to speak).

⭐️⭐️⭐️⭐️

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