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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Mixed race privilege: White @ovalhouse


I always knew what I was. I was mixed race. I was... And so begins Koko Brown’s monologue White. It’s about being mixed race and being an outsider and growing up in modern Britain dealing with labels when sometimes none really fit.

It’s currently playing at the Ovalhouse Theatre as part of its Autumn Series of shows.

Koko Brown uses spoken word, live vocal looping and multimedia to create a powerful and compelling statement on how we view people.


Whether it’s the black girl in the corner, who like’s Panic! At the Disco. Who doesn’t get why she’s always cast as Scary Spice. Who stumbled onto a Black Lives Matter march.

The vocal looping creates a series of songs to comment on the various stages of her young life.


It’s fascinating for both it’s assured performance and uncertainty with what happens next.

It would make a great double bill with  Joe Sellman-Leava’s piece Labels.

In the meantime, you can catch it at the Ovalhouse until 25 November.

Next up at the Ovalhouse is The Sex Workers Opera, which combines theatre and music to showcase the lives of sex workers... Warts and all (or so to speak).

⭐️⭐️⭐️⭐️

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