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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Mixed race privilege: White @ovalhouse


I always knew what I was. I was mixed race. I was... And so begins Koko Brown’s monologue White. It’s about being mixed race and being an outsider and growing up in modern Britain dealing with labels when sometimes none really fit.

It’s currently playing at the Ovalhouse Theatre as part of its Autumn Series of shows.

Koko Brown uses spoken word, live vocal looping and multimedia to create a powerful and compelling statement on how we view people.


Whether it’s the black girl in the corner, who like’s Panic! At the Disco. Who doesn’t get why she’s always cast as Scary Spice. Who stumbled onto a Black Lives Matter march.

The vocal looping creates a series of songs to comment on the various stages of her young life.


It’s fascinating for both it’s assured performance and uncertainty with what happens next.

It would make a great double bill with  Joe Sellman-Leava’s piece Labels.

In the meantime, you can catch it at the Ovalhouse until 25 November.

Next up at the Ovalhouse is The Sex Workers Opera, which combines theatre and music to showcase the lives of sex workers... Warts and all (or so to speak).

⭐️⭐️⭐️⭐️

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