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Searching undeterred: The Gift @ParkTheatre

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I recently had a few parcels go missing from where I live. The first parcel disappeared without a trace. The second parcel's contents were removed, and the box was left alone in the lobby. It's one of the things that you have to put up with living in central London. Apart from complaining to the delivery company and filing a police report, it crossed my mind to think about what would happen if I sent myself something rather unpleasant for a future parcel thief to open up. Well, Dave Florez's new work, The Gift, is in this line of thinking, except that the lead receives an anonymous gift of a turd in the mail rather than sending it to himself. It is lovingly gift-wrapped in a cake box from a posh north London bakery. It's a fascinating and hilarious three-hander currently playing at Park Theatre .  Colin (Nicholas Burns) is a little obsessive at the best of times. He doesn't let things drop quickly and is obsessed with the details behind anything and everythi...

Unfinished business: Continuity @Finborough @Continuityplay

 
It's an odd feeling to laughing along with man about plant a bomb... But such is the world you're drawn into with Gerry Moynihan's Continuity, currently at the Finborough Theatre.

What's chilling about this this monologue is how it hooks you in to the story . Here the cause is taken as a given. Unquestioned, unflinching and ongoing... The Good Friday Agreement is the thin veneer of peace that conceals what's really happening on the ground. The ongoing rough justice, score settling and resistance that is largely unreported.

The story involves Padraig (Paul Kennedy), a member of the Continuity IRA. He is dedicated to the cause. But after meeting a girl from Barcelona, he soon finds his colleagues questioning him  about his commitment. And he begins to wonder about it himself.




Kennedy's Padriag is an engaging storyteller as he moves from cracking jokes to the details of planting a bomb. His likability catches you off guard as the story takes a darker turn. But he's also effective in bringing to life the world he inhabits - the humanity and inhumanity of it all.

The space of the Finborough, which is also being used as an Edwardian drawing room for Just To Get Married, is transformed by May Hannah Davies into something darker here. The drop cloths and moody lighting (and maybe the smell of fresh paint from the recent theatre refurb) emphasise the murky nature of the story.

Underscoring the tense mood with samples of news reports and an eclectic choice of music is Anna Clock's sound design.

Naturally being a story about Northern Ireland, violence and death feature throughout. It's enough to make you wonder what frictionless post-Brexit solution will be necessary to bring this closer to a resolution.

Directed by Shane Dempsey, Continuity is at the Finborough Theatre on Sundays, Mondays and Tuesday matinees until 19 August.

⭐︎⭐︎⭐︎⭐︎



Photos by Gary Wolf

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