Featured Post

Still here: While They Were Waiting - Upstairs At The Gatehouse

Image
As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

The best of all possible worlds: Candide in Concert with @LMTOrch @CadoganHall


It is possible to see the best of all possible worlds after experiencing the passion and sublime music making from London Musical Theatre Orchestra's concert version of Candide.

Playing for one night only at Cadogan Hall, you left the theatre sharing the joy and passion the musicians felt for Bernstein's work.

Based on a story by Voltaire, it's about a young man determined to cling to optimism despite the frequent tragedies he encounters. Along the way he's expelled from home, dragged into the Bulgarian army, brought before the Spanish Inquisition... But the plot is not so important...

As a concert version, Bernstein's operetta lets you overlook the sillier parts of the story and focus on the music and performances.


In the title role, Rob Houchen defines the optimism of the character with an a delicate tenor voice.

Anna O'Byrne as Cunegonde was a delight to watch. Particularly as she made singing high e-flats look  easy in the showstopping number "Glitter and Be Gay".

James Dreyfus held the proceedings together as the narrator and comic relief.

The orchestra is the first in London dedicated to Musical Theatre. Founded in 2015 by Music Director Freddie Tapner it was intended to give London musicians experience in playing big orchestral musical theatre scores.  Bernstein would have approved for sure.

Earlier in the year they performed Honeymoon In Vegas with Jason Robert Brown conducting which was also sensational.

During the interval, two strangers asked me "Is this just for one night?" Alas it was. But it's exciting to see something extraordinary even if it is for one night.

They'll be back at Hackney Empire on September 23 for a concert version of Jerry Herman's Mack and Mabel. In December they'll be in the West End for A Christmas Carol. Sign up on their website for updates.

⭐︎⭐︎⭐︎⭐︎



Photos by Nick Rutter

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...