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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

Murder on the dance floor: Disco Pigs @TrafStudios


Twenty years on, Enda Walsh's Disco Pigs still manages to shock and fascinate with its evocative and provocative world of deprivation. It's currently playing at Trafalgar Studios.

But with its endless slang and two unpleasant characters, it's often an an impenetrable world. Even with two masterful performances and slick production values, this is still a journey through hell.

The piece is about Pig and Runt. Born on the same day and at the same time in the same hospital, they've been inseparable all their lives. They have their own language, own rules, and exist in a world of petty crime, violence, drinking and dancing...

But as they approach adulthood, Pig's feelings for Runt grow. Runt struggles to break away from Pig's advances and the world in which they have built over their lives.


The energy of the performances is astonishing and keeps the momentum of this piece. Colin Campbell as Pig is edgy and  threatening. Evanna Lynch as Runt is also threatening. But she also conveys the tentative aspirations for a different life. At times the two seem to bounce off each other, even if you can't understand a word either of them are saying.

There isn't a glossary in the programme to help you out. You just have to feel your way through the emotions, movement and feelings.

When things start getting complicated, there's a throbbing soundtrack of classic dance tracks and Elliot Grigg's lighting to transform the space into a rave.

But these thrills feel like a clever attempt to skirt around providing any context to the gratuitous violence and depravity. And that makes it hard to care about either of them in the end.

Directed by John Haider, Disco Pigs is at Trafalgar Studios until 19 August.

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Photos by Alex Brenner

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