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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Secret marriages and other rivalries: Il Matrimonio Segreto @popupoperauk


Cimarosa’s Il Matrimonio Segreto (The Secret Marriage) continues Pop-up Opera's tradition of semi-staging rarely seen works in unusual locations. It's playing at various sites across the country until 30 July.

This rarely-seen work is perfect for their style. It's a little bit silly. It has some great arias. And it showcases some fabulous voices from its young and energetic cast. Of course being Pop-up Opera, they add some 21st century flourishes to this  18th century opera. There are endless references to politics and on-point trends.



The story centres around two young lovers, Paolino and Carolina. They get married and tell nobody about it. Slight problem is that Paolino married one of the two daughters of the man he works for. Who just happens to be a rich Italian businessman. He's also working on marrying off the other daughter to a mad English toff... Who seems to bear some resemblance to Boris... Albeit he can sing. And doesn't waffle. But this toff fancies Carolina...

It's well sung and acted with a terrific performance by Peter Kirk as Paolino. He his unforced tenor voice was powerful yet fresh and perfectly suited for the role. Opposite him as Carolina, Chiara Vinci is a feisty soprano full of energy and wit.


In the surroundings of The Vaults at Waterloo it isn't the most magical of all the venues Pop-Up Opera will tour. But the appreciative audience were either cheering or in hysterics from the proceedings.

Directed by Max Hoehn and with Musical Direction by Berrak Dyer, Il Matrimonio Segreto travels around the country. The performers vary depending on the evening. There are future dates in and around London throughout the summer too. Don't miss it.

⭐︎⭐︎⭐︎⭐︎

Production photos by Richard Lakos and rehearsal photographs by Lidia Crisafulli

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