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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Talks preview: Preservation during conflict @WorldMonuments


As part of a series of talks about heritage in conflict zones, on Tuesday 16 May at the Royal Geographic Society World Monuments Fund Britain presents Zaki Aslan, Director of ICCROM-ATHAR - an international body that works to conserve cultural heritage in the Middle East. Zaki Aslan will provide significant insight into the state of heritage in the region and discuss how the world’s nations could help more with conservation. The evening will be introduced by Tracey Crouch, Minister for Sport, Tourism and Heritage at DCMS.

This event follows the 2015 inaugural talk World Monument Fund talk in which Professor Maamoun Abdulkarim, the Director-General of Syrian Antiquities, visited the UK for the first time. With the recent news that Palmyra in Syria has just been freed from ISIS for a second time, Maamoun Abdulkarim will join the lecture by video to give us the very latest position on his country’s besieged cultural heritage.

Conflict continues to dominate the Middle East and we regularly hear about cultural catastrophes as heritage is deliberately targeted by direct damage, looting, abandonment and neglect. Historic buildings, artistic treasures, monuments and neighbourhoods are repeatedly dismantled or destroyed. Alongside the physical destruction comes the loss of people to champion heritage and the expertise to conserve it.

Photograph: © iStock RPMGas

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