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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Flipping memories: Catch Me @FlipFabriQue @UnderbellyFest


It's the start of summer. The weather's hot and the Underbelly Festival at the South Bank Centre is opening with its usual eclectic mix of circus acts, comedy and cabaret. And Flip FabriQue's Catch Me fits this bill well.

There is beauty and fluidity in the performances. The premise is that ten years later a bunch of friends reunite for another weekend at a cottage together. They play. They have fun. And they do strange and unusual things with straps, trampolines and diablos.




Quebec-based Flip FabriQue brings together circus artists to tell stories drawn from their own experiences. With a backdrop of a cottage the acrobat routines evoke memories of the past and a spirit of playfulness.

A squeaking Bruno Gagnon is soon flipping through the air. Hugo Ouellet Côté on straps is looking at a photobook. Camila Comin and Yann Leblanc soon become intertwined on a Cyr Wheel. It's amazing to watch.



Underbelly is continuing with its reputation for bringing the best circus acts to the South Bank summer. And this had me recalling past years with Circa and Gravity and Other Myths.

Perhaps those productions were a little sharper and focused. Not every scene works here which makes the show drag at times.

There is an interlude in sleeping bags that seems out of place. Another segment with exercise balls and Barry Manilow's Copacobana seemed less impressive. It's probably not a good idea to use that as a backing track. It's too much of a distraction. Either half the audience want to sing along while the other half want to cover their ears.

Still it's hard not to like a show which features an ice-lolly eating competition and duelling diablos (not the sexy one's we're used to). There is also some incredible high energy trampolining to close the evening.

Directed by Olivier Normand, Flip FabriQue: Catch Me is at the Underbelly Festival at the South Bank Centre until 9 July.

⭐︎⭐︎⭐︎



Photos by Richard Davenport.






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