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Brief awakenings: White Rose The Musical @MaryleboneTHLDN

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A fascinating and daring act of defiance in Nazi Germany by a group of university students in Munich is given a slightly perplexing rock musical treatment in White Rose, the musical. Something seems amiss in this earnest and occasionally tuneful show. It lags more than it inspires, which is surprising given the tragic and compelling history of the real-life characters the show depicts. Given that young people are increasingly likely to vote for far-right parties across Europe, it’s an opportunity to look at a time when they had a different perspective on the future. Perhaps something has been lost in the translation or the larger space of the Marylebone Theatre where it plays.  The White Rose were a group of university students in Munich who sought to undermine the Third Reich through publication of a series of pamphlets urging passive resistance to the Nazi regime. Over a brief period between June 1942 and February 1943, they distributed their pamphlets across campus using ...

Flipping memories: Catch Me @FlipFabriQue @UnderbellyFest


It's the start of summer. The weather's hot and the Underbelly Festival at the South Bank Centre is opening with its usual eclectic mix of circus acts, comedy and cabaret. And Flip FabriQue's Catch Me fits this bill well.

There is beauty and fluidity in the performances. The premise is that ten years later a bunch of friends reunite for another weekend at a cottage together. They play. They have fun. And they do strange and unusual things with straps, trampolines and diablos.




Quebec-based Flip FabriQue brings together circus artists to tell stories drawn from their own experiences. With a backdrop of a cottage the acrobat routines evoke memories of the past and a spirit of playfulness.

A squeaking Bruno Gagnon is soon flipping through the air. Hugo Ouellet Côté on straps is looking at a photobook. Camila Comin and Yann Leblanc soon become intertwined on a Cyr Wheel. It's amazing to watch.



Underbelly is continuing with its reputation for bringing the best circus acts to the South Bank summer. And this had me recalling past years with Circa and Gravity and Other Myths.

Perhaps those productions were a little sharper and focused. Not every scene works here which makes the show drag at times.

There is an interlude in sleeping bags that seems out of place. Another segment with exercise balls and Barry Manilow's Copacobana seemed less impressive. It's probably not a good idea to use that as a backing track. It's too much of a distraction. Either half the audience want to sing along while the other half want to cover their ears.

Still it's hard not to like a show which features an ice-lolly eating competition and duelling diablos (not the sexy one's we're used to). There is also some incredible high energy trampolining to close the evening.

Directed by Olivier Normand, Flip FabriQue: Catch Me is at the Underbelly Festival at the South Bank Centre until 9 July.

⭐︎⭐︎⭐︎



Photos by Richard Davenport.






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