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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Flipping memories: Catch Me @FlipFabriQue @UnderbellyFest


It's the start of summer. The weather's hot and the Underbelly Festival at the South Bank Centre is opening with its usual eclectic mix of circus acts, comedy and cabaret. And Flip FabriQue's Catch Me fits this bill well.

There is beauty and fluidity in the performances. The premise is that ten years later a bunch of friends reunite for another weekend at a cottage together. They play. They have fun. And they do strange and unusual things with straps, trampolines and diablos.




Quebec-based Flip FabriQue brings together circus artists to tell stories drawn from their own experiences. With a backdrop of a cottage the acrobat routines evoke memories of the past and a spirit of playfulness.

A squeaking Bruno Gagnon is soon flipping through the air. Hugo Ouellet Côté on straps is looking at a photobook. Camila Comin and Yann Leblanc soon become intertwined on a Cyr Wheel. It's amazing to watch.



Underbelly is continuing with its reputation for bringing the best circus acts to the South Bank summer. And this had me recalling past years with Circa and Gravity and Other Myths.

Perhaps those productions were a little sharper and focused. Not every scene works here which makes the show drag at times.

There is an interlude in sleeping bags that seems out of place. Another segment with exercise balls and Barry Manilow's Copacobana seemed less impressive. It's probably not a good idea to use that as a backing track. It's too much of a distraction. Either half the audience want to sing along while the other half want to cover their ears.

Still it's hard not to like a show which features an ice-lolly eating competition and duelling diablos (not the sexy one's we're used to). There is also some incredible high energy trampolining to close the evening.

Directed by Olivier Normand, Flip FabriQue: Catch Me is at the Underbelly Festival at the South Bank Centre until 9 July.

⭐︎⭐︎⭐︎



Photos by Richard Davenport.






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