Featured Post

Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

Image
It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

The Corsican Job: Sublime @Tristanbates

With Sublime, the premise of a new heist drama and a promise of it being a provocative play is hard to resist. Its short run at the Tristan Bates Theatre has ended but there were some things to admire about the piece by by Sarah Thomas.

The story is that the heistess, Sophie, is back in town. And she's got one week to pull off three jobs to pay back the Corsicans. It's assumed knowledge that you don't want to fuck with the Corsicans. But if you have been to Corsica you probably will understand that immediately.

She enlists her brother Sam to help her. But Sam is trying to lead a straight and boring life with his mousy new girlfriend Clara (Suzy Gill). But there is so much sexual chemistry between the two you begin to wonder what sort of siblings they are.


As Sophie and Sam, Adele Oni and Michael Fatogun  keep your interest aroused in this piece. Their sexy performances and provocative banter make for a sultry evening. It is only diminished by the endless subplots and twists, and a few superfluous characters.

The heists don't happen onstage so we're left to assume they're a piece of cake. Not much of the dialogue centres around the planning of them either. This  seems curious given the characters are supposed to be some great up and coming criminal masterminds.

Directed by Ben SantaMaria (who also had a role in script development), Sublime is is Thomas's first play and the short run will hopefully give the piece more focus. Somewhere amongst all the material there is a 90 minute play there that I would like to see...

⭐︎⭐︎⭐︎

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre