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Life upon the wicked stage: Already Perfect at Kings Head Theatre

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Performing two shows a day on a Broadway run sounds exhausting enough. But when you’ve just had a not-so-great matinee and are having a crisis of confidence, I would assume the last thing you’d want is to confront your past. Yet that’s the situation in Already Perfect, writer-performer Levi Kreis’s slightly autobiographical journey of confronting the past and his younger self. With a series of toe-tapping and emotional songs in a sleek production, you’re invited to experience someone else’s therapy session. And with a show title called Already Perfect, you know what kind of session this is going to be. It makes for a show where nothing is left unsaid, even if it is unnecessary,  unbelievable or best left on a greeting card. It’s currently playing at the King’s Head Theatre .  The story begins in his dressing room after a matinee, with Kreis alone. The show didn’t go so well. Struggling after being dumped by a lover, pressure mounting on the evening show being filmed for poster...

Stompin' at the Palace: This Joint Is Jumpin' @theotherpalace


In the basement space of The Other Palace there's a whole lot of jumpin', stompin' and jazzin' going on. It is not so much a theatrical piece but homage to the great jazz legend Fats Waller.

The artists pay tribute to the life and music of Fats Waller through song, dance and a small and largely insignificant plot device. But it's the music making that will leave you with the lasting impression.

There's music director and co-creator Michael Mwenso’s cool jazz vocals which combined with his band The Shakes are a sensation.  Mathis Picard’s on the piano, Ruben Fox on tenor sax and Mark Kavuma on trumpet each have some terrific moments.

But the highlight is the London debut of Broadway legend Lillias White. She is the cats pyjamas with her charm and ability to give meaning from the seemingly most insignificant lyric.

Accompanying the music are some great tap performances by Michela Marino Lerman and Joseph Wiggan. Wiggan has an astonishing tap solo in the second half of the show which is a thrill to watch in the confined space of the studio.

As for the plot, well its about unpaid rent and threat of eviction, so the show becomes a rent party. This means if the bar takings are high enough they will have enough money to make the next rent payments. And given West End prices for drinks this was never going to be a problem.

If only they put the narrative to better use to explain more about the time and period of Fats Waller. Waller was a jazz pianist but also a prolific composer. His songs Honeysuckle Rose, Ain't Misbehavin' and Squeeze Me are still popular standards. He has also purported to have composed many other songs attributed to other composers and lyricists when he needed the money.

Still, this is one classy show and perfect in the studio setting of The Other Palace. Directed by Patrice Miller, This Joint Is Jumpin' runs until 15 April.

⭐︎⭐︎⭐︎⭐︎



Photos by Darren Bell

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