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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

What does the fox say: Run The Beast Down @Finborough


It is a hedonistic and hectic life in this one-hander about a man called Charlie. He can't sleep. He lost his job and there is this fox following him about. It's playing now at the Finborough Theatre.

Played by Ben Aldridge, you are never quite sure what is real and illusory. But there's a thrilling and pulsating soundtrack by Chris Bartholomew underscoring the madness that makes it a trip worth taking down the foxhole.

It opens with Charlie finding that his girlfriend has left him and he lost his city job. He is living in a partially gentrified council estate and the neighbours cat has gone missing. But after that things begin to get a bit weird. The nights become something for his imagination to run wild. Soon paranoia, fear and destruction take over.



Aldridge holds your attention throughout as he becomes a confusing and delusional narrator. At times he speaks directly at you. His Charlie is earnest. Honest. And maybe just plain nuts.

The production looks great as well. Simple staging with a bare floor and bars. But Charlie uses a chalk pen to mark out (like a fox) the seven stages of Charlie's state of mind.

Lighting designers Rob Mills and Robbie Butler keep things on edge with their shifting colours and movement.

The music, lighting and performance come together as a breathtaking spectacle of fear and craziness in the city.

Watching the piece as Charlie becomes obsessed about a fox who is talking to him reminded me of a neighbour. This neighbour developed a strange evening routine of heading out to the square and feeding the local foxes slices of cooked sirloin. Which he bought from Marks and Spencer. Maybe there is something about city life that does something to people. Particularly if you're a bit of an insomniac.

Written by Titas Halder and directed by Hannah Price, Run The Beast Down is at the Finborough Theatre until 25 February.


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Photo credit: production photos.

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