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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Dirty stop out: Dirty Great Love Story @ArtsTheatreLDN


Dirty Great Love Story at the Arts Theatre is casual sex described through poetry. After a one night stand two hopeless romantics then spend the next few years trying to avoid each other. While speaking mostly in rhyming verse.

The only problem with this premise is that if the rhyming isn't particular clever you have a bit of a problem what the point of it all is. Even Pam Ayres is funny. Here it is mostly perplexing and the verse gets in the way of everything else.


The drama and comedy is derived from their different perspectives on their first encounter. From her point of view, he is a mistake who keeps popping up at parties and generally being an irritant. For him, she is perfect.

Things pick up towards the end as the comedy reaches its inevitable conclusion but by this point you might have given up.

As the unlikely couple Felix Scott and Ayesha Antoine keep the momentum and manage to convey meaning out of the flimsiest of dialogue and rhyme.

This was a hit at Edinburgh in 2012, but today it feels dated. Hen nights and drinking in bars all night at clubs seems curious in the era of Tinder.

Perhaps it needs the smaller space (and a shorter running time) to make it feel more naturalistic. Or the theatre isn't the place for two-handed romantic comedies.

Written by Richard Marsh and Katie Bonna and directed by Pia Furtado, Dirty Great Love Story is at the Arts Theatre until 18 March.



⭐︎⭐︎

Photo credit: Richard Davenport for The Other Richard








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