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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Dirty stop out: Dirty Great Love Story @ArtsTheatreLDN


Dirty Great Love Story at the Arts Theatre is casual sex described through poetry. After a one night stand two hopeless romantics then spend the next few years trying to avoid each other. While speaking mostly in rhyming verse.

The only problem with this premise is that if the rhyming isn't particular clever you have a bit of a problem what the point of it all is. Even Pam Ayres is funny. Here it is mostly perplexing and the verse gets in the way of everything else.


The drama and comedy is derived from their different perspectives on their first encounter. From her point of view, he is a mistake who keeps popping up at parties and generally being an irritant. For him, she is perfect.

Things pick up towards the end as the comedy reaches its inevitable conclusion but by this point you might have given up.

As the unlikely couple Felix Scott and Ayesha Antoine keep the momentum and manage to convey meaning out of the flimsiest of dialogue and rhyme.

This was a hit at Edinburgh in 2012, but today it feels dated. Hen nights and drinking in bars all night at clubs seems curious in the era of Tinder.

Perhaps it needs the smaller space (and a shorter running time) to make it feel more naturalistic. Or the theatre isn't the place for two-handed romantic comedies.

Written by Richard Marsh and Katie Bonna and directed by Pia Furtado, Dirty Great Love Story is at the Arts Theatre until 18 March.



⭐︎⭐︎

Photo credit: Richard Davenport for The Other Richard








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