Featured Post

The brown word: Death on the Throne @gatehouselondon

Image
We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Spooky things at night: Benighted @ORLTheatre


Benighted is a taut Christmas thriller that is a welcome relief for anyone who doesn't buy into all that cheer this time of year. Or pantomimes. There is thunder, a spooky house and dark secrets. It's currently playing at The Old Red Lion Theatre.

It is a dark and stormy night. And close to Christmas. A car has broken down and there is a rising flood. Three people seek shelter from the weather in a gloomy mansion. But all is not what it seems and their hosts, the mysterious Femm family, are not particularly hospitable. As others arriving seeking shelter from the rain the group begin to wonder if they will make it through the night.

First published in 1927, this early novel by J.B. Priestley was adapted for the screen by James Whale in the 1932 as The Old Dark House. It was the original horror picture movie that would inspire many others and be the blueprint for future stories. Including the Rocky Horror Picture Show.



It has been adapted for stage by Duncan Gates. Nobody strips down to their underwear here (or breaks into song). But there is enough creepiness with clever lighting and sound effects to keep you on the edge.

As the Waverton's who get stranded by the storm, Harrie Hayes and Tom Machell capture the spirit of a modern married couple. As Roger Penderel, who is travelling with the Wavertons, Matt Maltby is the seemingly happy and carefree single man with demons of his own to confront.

This is a resourceful production. There is a simple door or a jagged corner to evoke the mansion. And the confined space of the theatre is transformed by designer Gregor Donnelly into a place of dark spaces and creaking doors. The lighting by Zia Bergin-Holly and Sound by David Gregor also is enough to make you jolt out of your seat occasionally too.

As the flood subsides and the rain clears, perhaps things start to sag as the tension shifts, but it's an adventure all the same. And it is great to see the source material that inspired so many other stories.

Directed by Stephen Whitson, Benighted is at The Old Red Lion theatre until 7 January.

⭐︎⭐︎⭐︎⭐︎



Photos by Chris Gardner

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...