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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Work life balance: The Sewing Group @RoyalCourt


The Sewing Group is a fabulously subversive piece of theatre at the Royal Court. The piece by EV Crowe explores secrets, the impact of technology, the overcomplicated and the over analysed. All within a wooden box-like set lit by candle light.

It starts out innocent enough, but then has you perplexed. There are a series of very short (and disorienting) scenes where very little is given away. There are long silences and long blackouts. In one scene all that takes place is a distant fart. It was so distant that it made me wonder whether it came from the audience.



The story centres around the arrival of a woman at a village in pre-industrial England. She wants to learn to sew and understand their simple way of life. But things don’t turn out to be what they seem. With anachronistic references and odd behaviour the piece slowly builds to its twist. It would be wrong to give this away but the twist is both amusing and a bit sad.

In keeping with the central message of the piece it would be wrong to over complicate things by saying too much about it. There is a strong central performance from Fiona Glascott as the resilient mystery woman. She may have strength but it also may be masking an emptiness.

Directed and designed by Stewart Laing, The Sewing Group runs until 23 December.


Photos: Production photos Stephen Cummiskey

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