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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Work life balance: The Sewing Group @RoyalCourt


The Sewing Group is a fabulously subversive piece of theatre at the Royal Court. The piece by EV Crowe explores secrets, the impact of technology, the overcomplicated and the over analysed. All within a wooden box-like set lit by candle light.

It starts out innocent enough, but then has you perplexed. There are a series of very short (and disorienting) scenes where very little is given away. There are long silences and long blackouts. In one scene all that takes place is a distant fart. It was so distant that it made me wonder whether it came from the audience.



The story centres around the arrival of a woman at a village in pre-industrial England. She wants to learn to sew and understand their simple way of life. But things don’t turn out to be what they seem. With anachronistic references and odd behaviour the piece slowly builds to its twist. It would be wrong to give this away but the twist is both amusing and a bit sad.

In keeping with the central message of the piece it would be wrong to over complicate things by saying too much about it. There is a strong central performance from Fiona Glascott as the resilient mystery woman. She may have strength but it also may be masking an emptiness.

Directed and designed by Stewart Laing, The Sewing Group runs until 23 December.


Photos: Production photos Stephen Cummiskey

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