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Somewhere that's green: Potty the Plant at Wiltons Music Hall

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"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall. The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery.  If the show settled on a convincing plot, location and set of characters, it could ...

Oh Canada: Proud @Finborough #Proudtheplay


The former Prime Minister of Canada Stephen Harper is the subject of Proud currently playing at The Finborough. It asks what havoc he would have wrecked if he won a larger majority in 2011?

Written by Michael Healey in 2011, it suggests a nightmare situation of a petty-minded leader who uses whatever means possible to achieve his vision. A small-minded vision focused on making the government just a little smaller than it currently. And of course annoying the Canadian Liberal establishment.

Viewing it from the United Kingdom with our shambolic political system, you may be tempted however to think Canadians never had it so good.


After his election in 2011, it must have felt that Harper had consolidated his power. But even political satire can be overtaken by events. Justin Trudeau and the Liberal Party in 2015 defeated Harper. There appeared to be a collective sigh of relief that a man who used tactics of fear and division was out of office.

Here Harper (just called the Prime Minister) is made much more likable with a strong performance by Nicholas Cass-Beggs. He is a bit like a kid in candy store trying to put in place his little vision to end big government. And with a larger majority than anyone expected he has more power than he knows what to deal with. But newly elected conservative representative Lyth (Emily Head) turns out to be his match.

He gets her to promote a private members bill on abortion to distract attention from his other government reforms. At first she seems naive about government but as the play progresses and the two spar about politics and ideas, or is it just about sex? Head has all the best lines and exudes sexual freedom. But she also displays a vulnerability a single parent.

Rounding out the cast is Jude Monk McGowan as Baines the Prime Minister’s Chief of Staff and Will Firth as Jake, Lyth’s son when grown up, running as an independent candidate.

But all of this appears quaint compared to the post-truth politics of Britain and the United States. Even the worst excesses of Canada seem tame: stacking the upper chamber, private members bills to distract the media from other government business. Here in the United Kingdom we have an equally shambolic House of Lords. There are endless enquiries and parliamentary committees to distract attention and bury bad news. And not forgetting a news media that never knowingly is fair and balanced.

Democracy may be depressing but here the pacing is kept brisk under Jonny Kelly's direction. In the end you can’t help feeling envious of Canada even if you don’t know much about their politics other than the core appeal of Justin Trudeau.

Proud runs at the Finborough Theatre as part of its Sunday to Tuesday production and concludes this week on 2 August.

⭐︎⭐︎⭐︎⭐︎

Photo credit: production photos by Venus Raven


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