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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Last chance for something completely different: Karagula @wearepigdog


In it’s final week in a disused bar in Tottenham is Philip Ridley’s Karagula.

It’s an amibitious dystopian work that has been baffling audiences for the past month. There are various worlds coliding in the piece. Time and narrative shifts to tell a story of rebellion against totalitarian regimes.



One regime insists the world should be 1950s apple pie and milkshakes. Anyone who challenges this gets shot. Or they just shoot people anyway. Another world dispenses with all sorts of personal traits and wears white suits and talk calmly and malevolently...

There are also tales from primitive societies and what could be the forerunner of a new religion.

Anyway it’s ambitious, mind boggling physical theatre in an unforgiving space... Not Tottenham, but the cavernous empty Styx bar space which serves as the backdrop for this crazy adventure.


I caught an early preview of it and I have avoided milkshakes ever since. But you can catch it and have a Neopolitan-style pizza in the forecourt of the venue before the show. Or spend time there at interval wondering what’s it all about.

A production from emerging company PIGDOG, which aims to use experimental forms of theatre to explore a range of issues, including accessibility, equality and gender politics.

Karagula concludes this week on 9 July. It certainly is something for those that like their theatre to be a little bit different...

Photo credit: production photos by Lara Genovese / Naiad Photography


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