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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

I'm Getting My Act Together and Taking It On the Road @JsTheatre

 
Time heals everything they say. It has been over thirty years since London has seen I'm Getting My Act Together and Taking It On the Road. And watching it at the Jermyn Street Theatre is like a trip back in time. When you arrive there is a band getting ready for the show, and you could be forgiven for thinking you were in a cabaret spot from the 1970s. Complete with pantsuits, glitter makeup and records on the wall. It is a terrific looking production that makes you feel like walking down the steps to the theatre you have been in a time machine. 

But with its handful of songs and themes about the role of women, it almost feels as it time has stood still. The dialogue may be firmly rooted in the 1970s (and often a bit predictable), but the themes of female empowerment and being independent seem as if we haven't come so far since..


The show is about Heather Jones (Landi Oshinowo), a star who had a hit with an treacly love song, trying to impress her manager with her new material ahead of opening night for her new act. The rehearsal becomes the basis for the musical exploring her age, her break-ups and the expectations on women. Her manager Joe (Nic Colicos), who she had a past relationship with, doesn't like everything he hears.

 
This musical has been largely forgotten except perhaps for its song "Old Friend", which Michael Feinstein continues to champion with his near forensic-like analysis of its depth and meaning. But the rest of the songs written by Nancy Ford are just as good as they explore Heather's past and future. 

Curiously it is when the band isn't playing and the cast isn't singing that the show feels a little flat. Written by Gretchen Cryer based on her own life experiences  it seems to unbelievable. The banter between Heather and Joe is often repetitive and tedious. There isn't much here for Colicos to do other than say things to make the audience wince (just the same way it probably did in 1979).

But the cast and the music keep this show on track. Oshinowo gives a nuanced performance as a performer wanting to break out. Along with backing singers Rosanna Hyland and Kristen Gaetz, when they sing it really is (as one of the songs say) a natural high and make this show a memorable experience.

Band and cast members Alice Offley, David Gibbons, Nick Barstow and Rich Craig round out the group.

Directed by Matthew Gould, I'm Getting My Act Together and Taking It On The Road runs through to 23 July at Jermyn Street Theatre.

⭐️⭐️⭐️⭐️

 

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