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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Reminder to get writing: The Adrian Pagan Award 2016


The Adrian Pagan award is back for a third year. If you think you’ve got what it takes to address the state of the nation rather than reading random blogs on the interwebs, then this might be for you.

The King’s Head are looking for directors, producers and creative teams to pitch plays that capture the current mood in an exciting, thought-provoking and entertaining way. Other than that, anything goes - new writing, revivals and musicals... They will take anything that pokes them the right way.

The winning company will receive a full King’s Head production budget to produce their show at the venue.

Applications are open until 31 July. To enter, you need to download an application from the King’s Head website and it by the deadline.


Shortlisted entrants will be invited to pitch to a panel of industry professionals in September.

Adrian Pagan was a stage manager for ten years before his first play, The Backroom, won the Verity Bargate award and was produced by the Bush Theatre. The award was set up following his tragic death at the age of 39. The first winner of the 2014 award was Thomas Pickles’ Dead Party Animals.

The second winner, in 2015, was Kate Lock’s Russian Dolls which recently concluded a run at the King’s Head (5th - 23rd April 2016).

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Play ball: Damn Yankees @LandorTheatre

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