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More sex and violence: Playfight @sohotheatre

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The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre .  Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it. This is too bad as the performances capturing this co...

Reminder to get writing: The Adrian Pagan Award 2016


The Adrian Pagan award is back for a third year. If you think you’ve got what it takes to address the state of the nation rather than reading random blogs on the interwebs, then this might be for you.

The King’s Head are looking for directors, producers and creative teams to pitch plays that capture the current mood in an exciting, thought-provoking and entertaining way. Other than that, anything goes - new writing, revivals and musicals... They will take anything that pokes them the right way.

The winning company will receive a full King’s Head production budget to produce their show at the venue.

Applications are open until 31 July. To enter, you need to download an application from the King’s Head website and it by the deadline.


Shortlisted entrants will be invited to pitch to a panel of industry professionals in September.

Adrian Pagan was a stage manager for ten years before his first play, The Backroom, won the Verity Bargate award and was produced by the Bush Theatre. The award was set up following his tragic death at the age of 39. The first winner of the 2014 award was Thomas Pickles’ Dead Party Animals.

The second winner, in 2015, was Kate Lock’s Russian Dolls which recently concluded a run at the King’s Head (5th - 23rd April 2016).

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