Featured Post

Waiting for Sandy: Milked @WhiteBearTheatre

Image
Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington.  The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His fat...

The Human Pile: Closer by Circa @CircaPresents @UdderbellyFest


Closer, by circus troupe Circa opens the London Wonderground on the South Bank with an intimate yet spectacular show about the power and strength of the human body.

 There is beauty in this stripped back circus extravaganza of human acrobatics that flow seamlessly from one to another.

A simple staging, with a few chairs and spotlights open up to an incredible array of performances. The effect is mesmerising as the performers make the impossible seem effortless.


Opening with a woman on a rope, using only her hands and strength, she falls almost to the floor. Then there is a sexy man and woman on a trapeze.

Soon there is men standing on women standing on men. The audience gasps but we haven't even got half way through the piece. There is a wonderful bat-like routine on a trapeze where Jarred Dewey channels his inner vampire.

There is even a short piece of audience participation which is beautifully handled as the cast throw themselves at the guests on stage... And deal with the humiliation of being "dropped".

Throughout the piece the themes of belonging, connecting and being part of something much bigger seem to abound. The title of the piece could refer to the intimate space of the upside down purple cow or the need to belong to someone or somewhere.


The audience saved the biggest cheers of the evening for performer Lisa Goldsworthy. She spun enough hula hoops so that she looked like she was wearing a sparkly dress. Up to this point in the show she was the strong woman of the piece. But here she was the character who could handle with balance and determination the hoops thrown at her from various points of the theatre.

By the climax of the show, with its tower of chairs, everything had been so engrossing and enjoyable that you could easily see it again.

Closer by Circa runs at the London Wonderground until 7 June. Don't miss it. Although you may wish to use the facilities beforehand. Or avoid drinking so much at the various bars outside before the show. For such a small audience and for a show that runs only 70 minutes, the constant audience departures and returns were distracting.

⭐︎⭐︎⭐︎⭐︎

Photos: production photos by Luke MacGregor



Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...