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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Meanwhile somewhere in rural England: Weald @Finborough



Weald, the new play by Daniel Foxsmith currently playing at the Finborough Theatre, is a funny and   intriguing piece about rural life in England and the bond between men.

The premise is that Jim arrives home after six years away in need of work at a livery yard. It is only temporary as he needs the work. Sam, the older man and father figure to him, reluctantly agrees.

As they get back to work, it is as if they were picking up where they left off. But in the years since Jim left, both have changed. The harsh economic realities for both of them mean that things are going to be as they were before.




The story of the economic decline of rural England is familiar enough. But what's great about this play is that its a story of two strong male characters. The humour, the conversations that trail off and the bonding over a cup of tea.

David Crellin as Sam captures the cragginess and humour of a man who has seen it all. While Dan Parr as Jim captures the enthusiasm and contradictions of a young man who wants a simple life, yet has commitments and obligations. The two men bond well together and give this play its strength.


The rural setting is also evocative from both the writing and clever staging by Director Bryony Shanahan. It is beautifully realised in the space of the Finborough.

All told it is a gentle observation of male bonding until the bloody climax. The ending seems a little rushed (and a bit shocking) for what had been the steady pace up to that point. But along the way it was insightful and funny.

Weald is a Snuff Box Theatre production playing at the Finborough Theatre through to 27 February.

⭐︎⭐︎⭐︎⭐︎

Photos by Alex Brenner.

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