Featured Post

The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

Image
A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Make a pot roast: The World Goes 'Round - the songs of Kander and Ebb @St_JamesTheatre


After catching The World Goes Round, it is easy to appreciate the breadth of writing from composers and lyricist John Kander and Fred Ebb. In the days since catching it, many of the songs have become ear worms. Who would have thought a song about two women comparing their lives (and singing about pot roast) could do that? No doubt it is due to the fine music making on stage.

The show includes songs from their best known works, Cabaret and Chicago. But it also includes many other songs from lesser known shows. And songs that might have been lost are now given the chance to shine.

It is a lot of songs in to get through in one evening but the show never drags during its nearly two hour duration. Helping the proceedings along are the performers assembled for the evening and each are given their moment.


The four piece band assembled under the music direction of Kris Rawlinson gives a strong foundation to the evening.

The ever-reliable Debbie Kurup opens the show with the title number and blows the audience away. It doesn't let up with many other highlights. Oliver Thompsett  gives a sublime interpretation of I Don’t Remember You.


Stefan Lloyd-Evans delivers a light and delicate rendition of the song Sara Lee. The song is about a man’s obsession with pastries. It is hilarious even if you find it hard to believe (given his physique) he is a man who spends his life eating brioche.

Sally Samad gets brassy with the song about having a man in the afternoon. And Alexandra Da Silva gives the audience several comic turns in the evening. A particular highlight being Ring Them Bells, taking a song written for Liza Minelli and making it her own.

At times it looks it looks a little crowded on stage. But what it lacks in choreography and staging, is made up with some intricate harmonies and fine music making that blow the audience away.

The World Goes Round, produced by Neil Eckersley, runs at the St James Studio until Sunday. It would be great to see some of these shows restaged sometime in London, but in the meantime, there is The World Goes Round...

⭐︎⭐︎⭐︎⭐︎

Photos by Tiffany Slagle

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...