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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Make a pot roast: The World Goes 'Round - the songs of Kander and Ebb @St_JamesTheatre


After catching The World Goes Round, it is easy to appreciate the breadth of writing from composers and lyricist John Kander and Fred Ebb. In the days since catching it, many of the songs have become ear worms. Who would have thought a song about two women comparing their lives (and singing about pot roast) could do that? No doubt it is due to the fine music making on stage.

The show includes songs from their best known works, Cabaret and Chicago. But it also includes many other songs from lesser known shows. And songs that might have been lost are now given the chance to shine.

It is a lot of songs in to get through in one evening but the show never drags during its nearly two hour duration. Helping the proceedings along are the performers assembled for the evening and each are given their moment.


The four piece band assembled under the music direction of Kris Rawlinson gives a strong foundation to the evening.

The ever-reliable Debbie Kurup opens the show with the title number and blows the audience away. It doesn't let up with many other highlights. Oliver Thompsett  gives a sublime interpretation of I Don’t Remember You.


Stefan Lloyd-Evans delivers a light and delicate rendition of the song Sara Lee. The song is about a man’s obsession with pastries. It is hilarious even if you find it hard to believe (given his physique) he is a man who spends his life eating brioche.

Sally Samad gets brassy with the song about having a man in the afternoon. And Alexandra Da Silva gives the audience several comic turns in the evening. A particular highlight being Ring Them Bells, taking a song written for Liza Minelli and making it her own.

At times it looks it looks a little crowded on stage. But what it lacks in choreography and staging, is made up with some intricate harmonies and fine music making that blow the audience away.

The World Goes Round, produced by Neil Eckersley, runs at the St James Studio until Sunday. It would be great to see some of these shows restaged sometime in London, but in the meantime, there is The World Goes Round...

⭐︎⭐︎⭐︎⭐︎

Photos by Tiffany Slagle

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