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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Make a pot roast: The World Goes 'Round - the songs of Kander and Ebb @St_JamesTheatre


After catching The World Goes Round, it is easy to appreciate the breadth of writing from composers and lyricist John Kander and Fred Ebb. In the days since catching it, many of the songs have become ear worms. Who would have thought a song about two women comparing their lives (and singing about pot roast) could do that? No doubt it is due to the fine music making on stage.

The show includes songs from their best known works, Cabaret and Chicago. But it also includes many other songs from lesser known shows. And songs that might have been lost are now given the chance to shine.

It is a lot of songs in to get through in one evening but the show never drags during its nearly two hour duration. Helping the proceedings along are the performers assembled for the evening and each are given their moment.


The four piece band assembled under the music direction of Kris Rawlinson gives a strong foundation to the evening.

The ever-reliable Debbie Kurup opens the show with the title number and blows the audience away. It doesn't let up with many other highlights. Oliver Thompsett  gives a sublime interpretation of I Don’t Remember You.


Stefan Lloyd-Evans delivers a light and delicate rendition of the song Sara Lee. The song is about a man’s obsession with pastries. It is hilarious even if you find it hard to believe (given his physique) he is a man who spends his life eating brioche.

Sally Samad gets brassy with the song about having a man in the afternoon. And Alexandra Da Silva gives the audience several comic turns in the evening. A particular highlight being Ring Them Bells, taking a song written for Liza Minelli and making it her own.

At times it looks it looks a little crowded on stage. But what it lacks in choreography and staging, is made up with some intricate harmonies and fine music making that blow the audience away.

The World Goes Round, produced by Neil Eckersley, runs at the St James Studio until Sunday. It would be great to see some of these shows restaged sometime in London, but in the meantime, there is The World Goes Round...

⭐︎⭐︎⭐︎⭐︎

Photos by Tiffany Slagle

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