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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Smoking previews: Aaron Kasmin, Lucky Strike @sims_reed


Opening Sims Reed Gallery’s 2016 programme is an exhibition of chalk pencil drawings by artist Aaron Yasmin.

Known for his abstract paintings and elegant colour pencil drawings, in Lucky Strike Yasmin takes inspiration from American cultural history to create a series of striking images.

Taking inspiration from Lion Match Company’s mid-twentieth century feature matchbooks, these drawings reflect the rise of America’s consumer culture and how small matchbooks were used as tools to influence purchasing habits.

The drawings evoke a glitzy bygone era... When smoking was so glamorous.


Aaron Kasmin was born in London in 1963 and studied at Chelsea School of Art. Known for his still-life drawings and abstract paintings, Kasmin is intrigued by the concepts of composition, scale, size and colour.

The exhibiton runs at Sims Reed Gallery through to 5 February.




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