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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Smoking previews: Aaron Kasmin, Lucky Strike @sims_reed


Opening Sims Reed Gallery’s 2016 programme is an exhibition of chalk pencil drawings by artist Aaron Yasmin.

Known for his abstract paintings and elegant colour pencil drawings, in Lucky Strike Yasmin takes inspiration from American cultural history to create a series of striking images.

Taking inspiration from Lion Match Company’s mid-twentieth century feature matchbooks, these drawings reflect the rise of America’s consumer culture and how small matchbooks were used as tools to influence purchasing habits.

The drawings evoke a glitzy bygone era... When smoking was so glamorous.


Aaron Kasmin was born in London in 1963 and studied at Chelsea School of Art. Known for his still-life drawings and abstract paintings, Kasmin is intrigued by the concepts of composition, scale, size and colour.

The exhibiton runs at Sims Reed Gallery through to 5 February.




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