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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Dangerous liaisons: The Wasp


The Wasp is the perfect antidote to all that Christmas cheer. A tense, psychological thriller with a story that keeps you guessing where it is going to head to next.

It is playing downstairs at the Trafalgar Studios for those who dare to see it.

Written by Morgan Lloyd Malcolm, the story is about two women who were once school friends, but drifted apart. For good reason. Twenty years on Carla is living hand to mouth, raising four children with a fifth on its way. Heather has a successful career, a husband and a beautiful home. Heather has got in touch with Carla through social media, and with a wad of cash asks her to kill her husband.



And there begins the tale of schoolyard bullying, betrayal and revenge. What is fascinating about the piece is how your sympathies shift as each new piece of information is revealed. Humour also helps to release the tension.

The production gives subtle clues about where things are heading. At one point I found myself thinking that knife is way too big to be just cutting that madeira cake…

The performances by the two leads also add a touch of credibility (and a lot of class) to this piece. MyAnna Burning is Carla. She is a rough, chain smoking pregnant woman with a brutal past. Burning delivers a sympathetic performance of a woman who seems to have moved on from her darker days.

Laura Donnelly is Heather. She is the cold and unfeeling woman, bullied at school to the point of cruelty and delivers a mesmerising portrayal of  a person trapped in the past.


To give anything further away would be cruel. The intimate space of Trafalgar Studios downstairs, the subject matter, and an awful lot of chain smoking (this piece along with Hangmen must hold the current record for the most amount of onstage smoking), adds to the tension.

Social media also plays a key part in the story. As a tool to to stalk former classmates online, it may make you want to check just who you are friends with online when you get home from the theatre. Just in case…

The Wasp is playing at Trafalgar Studios through to 16 January. The production is part of the Hampstead Theatre at the Trafalgar Studios alongside Four Minutes Twelve Seconds by James Fritz. Don’t miss it.

⭐︎⭐︎⭐︎⭐︎

Photo credits: Production photos by Ikin Yum

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