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Brief awakenings: White Rose The Musical @MaryleboneTHLDN

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A fascinating and daring act of defiance in Nazi Germany by a group of university students in Munich is given a slightly perplexing rock musical treatment in White Rose, the musical. Something seems amiss in this earnest and occasionally tuneful show. It lags more than it inspires, which is surprising given the tragic and compelling history of the real-life characters the show depicts. Given that young people are increasingly likely to vote for far-right parties across Europe, it’s an opportunity to look at a time when they had a different perspective on the future. Perhaps something has been lost in the translation or the larger space of the Marylebone Theatre where it plays.  The White Rose were a group of university students in Munich who sought to undermine the Third Reich through publication of a series of pamphlets urging passive resistance to the Nazi regime. Over a brief period between June 1942 and February 1943, they distributed their pamphlets across campus using ...

Dangerous liaisons: The Wasp


The Wasp is the perfect antidote to all that Christmas cheer. A tense, psychological thriller with a story that keeps you guessing where it is going to head to next.

It is playing downstairs at the Trafalgar Studios for those who dare to see it.

Written by Morgan Lloyd Malcolm, the story is about two women who were once school friends, but drifted apart. For good reason. Twenty years on Carla is living hand to mouth, raising four children with a fifth on its way. Heather has a successful career, a husband and a beautiful home. Heather has got in touch with Carla through social media, and with a wad of cash asks her to kill her husband.



And there begins the tale of schoolyard bullying, betrayal and revenge. What is fascinating about the piece is how your sympathies shift as each new piece of information is revealed. Humour also helps to release the tension.

The production gives subtle clues about where things are heading. At one point I found myself thinking that knife is way too big to be just cutting that madeira cake…

The performances by the two leads also add a touch of credibility (and a lot of class) to this piece. MyAnna Burning is Carla. She is a rough, chain smoking pregnant woman with a brutal past. Burning delivers a sympathetic performance of a woman who seems to have moved on from her darker days.

Laura Donnelly is Heather. She is the cold and unfeeling woman, bullied at school to the point of cruelty and delivers a mesmerising portrayal of  a person trapped in the past.


To give anything further away would be cruel. The intimate space of Trafalgar Studios downstairs, the subject matter, and an awful lot of chain smoking (this piece along with Hangmen must hold the current record for the most amount of onstage smoking), adds to the tension.

Social media also plays a key part in the story. As a tool to to stalk former classmates online, it may make you want to check just who you are friends with online when you get home from the theatre. Just in case…

The Wasp is playing at Trafalgar Studios through to 16 January. The production is part of the Hampstead Theatre at the Trafalgar Studios alongside Four Minutes Twelve Seconds by James Fritz. Don’t miss it.

⭐︎⭐︎⭐︎⭐︎

Photo credits: Production photos by Ikin Yum

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