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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Where nobody's dared to go: Xanadu @swkplay


Xanadu, currently playing at the Southwark Playhouse takes the format of musical based on a movie and sends it up mercilessly, but the high energy levels and sheer enthusiasm from this cast make it more than just a cheap show.

Usually musicals based on a movie (or a jukebox) have source material that was loved or respected. Xanadu did not have that. It seemed to be a showcase Olivia Newton-John's limited acting (and dancing) abilities. The occasional cheap effect could not conceal that looked as if it was staged in a supermarket. And shot mostly at eye level meant that none of the dance sequences could really be seen anyway.

Over the years it developed a cult following among those who appreciated it for being "so bad it is actually good”. It was also Gene Kelly’s final film so how bad could it really be?


Well, the plot involves Kira, the magical (and beautiful) Greek muse, who descends from Mount Olympus to Venice Beach California to inspire a struggling (and stupid) artist Sonny, to open a roller disco.

Set to songs by Jeff Lynne (of Electric Light Orchestra) and John Farrar (Olivia Newton John’s producer and frequent songwriter) this is a quintessentially 1980s sound. The film may have been a flop, but the soundtrack gave it a life beyond its limited means.

For the musical adaptation additional songs from the ELO and Farrar catalogue are added. The book by Douglas Carter Beane, actually improves the story by not taking itself very seriously sending up the original film and also expanding on the role of the Greek muses. Ultimately the over the top silliness of the material is lifted by the sheer energy, hard work and clever comic performances from the cast.

Stars are born (on roller skates) with Carly Anderson as Kira and Samuel Edwards as Sonny. Their deadpan expressions and boundless energy never let you think they are in on the joke. It adds to the hilarity but in the end you are also in awe of their relentless (and often deadpan) determination to make sure we have a good time.

Xanadu is at the Southwark Playhouse until 21 November. Get your skates on before it sells out.

⭐︎⭐︎⭐︎⭐︎

Photo: production photo complete with heroes on skates in skimpy costumes

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