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More sex and violence: Playfight @sohotheatre

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The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre .  Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it. This is too bad as the performances capturing this co...

Art Previews: Hugh Beattie's London Ancient and Modern @jhlbeattie @lagalleria

Opening this week at the Royal Opera Arcade off Pall mall is Hugh Beattie's exhibition called London: Ancient and Modern.

The exhibition brings together 30 new paintings by artist Hugh Beattie depicting views of London’s skyline which we do not normally see.  The works contrast the heritage of London and the new architecture of glass.

Over 70% of the City of London’s buildings have been erected since the millennium. In Beattie’s canvases, Early Medieval buildings share the cityscape with towering Modernist flats.



Hugh Beattie trained at Chelsea and Camberwell art college. He has also travelled to Florence to learn to paint in the style of Titian and S Sargent. Having previously painted Rome and Venice, Beattie has been drawn back to London focusing on executing studies of London cityscapes in oil.

The exhibition runs at the Royal Opera Arcade gallery through to Saturday 5 December and is open from 11am-6pm. Admission is free.

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