Featured Post

The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

Image
A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Random access memories: The Father


The Father is the story of one man as he “looses his leaves,” and through a series of fragmented scenes it is left to the audience to piece together what is happening to him. But the premise of jagged short scenes actually proves alienating and the dialogue is often unbelievable.

What we learn over the course of this piece is that Andre is 80 years old. He was once a tap dancer. He lives with his daughter Anne and her husband Antoine. Or he was an engineer whose daughter Anne lives in London with her new lover. Bit by bit fragments of his life are colliding as age takes its toll. Are those around him helping him or have they other plans?


The trouble is, there are no surprises here. The drama is an obvious descent down forget my memory lane, and frequently the dialogue (whether real or imagined) is unconvincing in what anyone would say to someone suffering dementia.

Perhaps something is lost in the translation. It is set in a French apartment, but with its beige drabness it could easily pass for a London flat. One by one the pieces of furniture disappear. At first you don’t miss the cheap lamp or the extra sofa, but as a metaphor for memory loss (or stage hands causing trouble) it is intriguing.

Given dementia is something for anyone living into old age can look forward to, it is great that there are stories being told about it. And the piece is exceptionally well acted by the cast, led by Kenneth Cranham.

But there has been excellent dramas of early-onset Alzheimer’s and perhaps one or two comedies covering old age and dementia…


This one doesn't quite hit either mark successfully. The Father runs at Wyndhams Theatre through to 21 November

⭐︎⭐︎⭐︎

Photo: production photo

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...