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Waiting for Sandy: Milked @WhiteBearTheatre

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Two lads looking for meaning and lots of time on their hands are at the heart of Milked. Simon Longman's play first premiered in 2013. While it may not capture the latest malaises and anxieties affecting post-pandemic youth, it has enough of a familiar ring to it for anyone who has eavesdropped on the thoughts and musings of young people when out and about. And with some lively performances by the two young men, you feel drawn into their bizarre little world as the conversation runs from the routine to the ridiculous. It's currently having a short run at the White Bear Theatre in Kennington.  The premise is that Paul (Iwan Bond) is searching for a job that becomes increasingly desperate. He wants to find a job in media (whatever that is) but has neither the skills nor the experience to do it. And being based in Herefordshire rather than London makes it a stretch to be considered for anything. His mate, Snowy (Evan L. Barker), seems to be on a journey of self-discovery. His fat...

The family way: The Etienne Sisters @stratfordeast


A reunion with an estranged half-sister at their mother's funeral provides the backdrop for an unlikely musical subject in the Etienne Sisters at the Theatre Royal Stratford East. The sisters accompanied by jazz pianist Nikki Yeoh perform admirably in this sophisticated and slick show even if the music doesn't feel like a perfect match to its subject matter.
Written and directed by Chè Walker, with songs by Anoushka Lucas and additional songs by Sheila Atim, the premise is that Tree, Ree and their estranged half-sister Bo are reunited at their mothers funeral. She decides to move in to comfort her sisters but tensions and resentments from the past begin to surface. 

Bo likes to do crazy things. She may have stolen a necklace. She may have stolen a serious amount of cocaine from a local dealer. But she is the life of the party. Tree and Ree seem much more reserved.

The jazz soundtrack by Anoushka Lucas is effective at times in setting the scene, but less so in driving the story forward. And when you would expect the music to drive forward heightened emotions, instead we just get narration from the characters. 

The creative decision to use jazz does not always gel with the characters. There is a grittiness in Bo's character that seems to be crying out for something musically rougher and stronger, even if Allyson Ava-Brown makes sure that she is a memorable character with her larger-than-life portrayal.

As Ree and Tree, Jennifer Saayeng and Nina Toussaint-White have great vocals and presence and can also hold their own with the complex solos and harmonies. 

The piece was workshopped at Theatre Royal Stratford East in September 2014 and is having its world premiere here now. It has been given a slick treatment here with giant projections and minimalist staging. It looks and sounds great. But perhaps the sum isn't greater than all the respective parts of it... For now... 

The production runs through to the 3 October. On Tuesday 29 September there is a free post-show discussion with the cast and creative team. 

⭐️⭐️⭐️


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