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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Ambiguously Straight: Bromance @udderbellyfest @bmtroupe


Flying by the seat of your pants takes on greater meaning with circus troupe Barely Methodical and their latest offering Bromance, which is at the Udderbelly Festival on the South Bank until 19 July.

The three performers, Beren D’Amico, Louis Gift and Charlie Wheeller, fuse circus performance with their expertise in martial arts tricking, parkour and breakdancing; not to mention some hilarious comic interactions for a thrilling hour.


By the end of the evening there are more than a few times you will find yourself gasping at some of the positions they throw themselves into and the feats they perform. Handshakes become handstands as D’Amico and Gift perform a series of clinches and grasps. Meanwhile Wheeller captivates the audience balancing on the Cyr Wheel as he goes it alone… And before the end of the show they strip down to their underwear showing their fantastic... er... form by creating a human pyramid.

The piece explores the boundaries and limits of male companionship. Trust, the essence of relationships and the boundaries of support and personal space. Much of the humour is derived from challenging what is considered to be acceptable non-sexual behaviour between men (much to the titillation of the audience).

The performers relish this ambiguity and these boundaries... Is it just friendship or is it something more. But it is a thoughtful examination of how it is possible to use acrobatics, movement, dance and theatre to provide  insight into what makes us who we are.

Yet another amazing piece of circus theatre at the Udderbelly, Bromance runs on the South Bank until 19 July. Don't miss it.

⭐︎⭐︎⭐︎⭐︎

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