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The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

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A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Ambiguously Straight: Bromance @udderbellyfest @bmtroupe


Flying by the seat of your pants takes on greater meaning with circus troupe Barely Methodical and their latest offering Bromance, which is at the Udderbelly Festival on the South Bank until 19 July.

The three performers, Beren D’Amico, Louis Gift and Charlie Wheeller, fuse circus performance with their expertise in martial arts tricking, parkour and breakdancing; not to mention some hilarious comic interactions for a thrilling hour.


By the end of the evening there are more than a few times you will find yourself gasping at some of the positions they throw themselves into and the feats they perform. Handshakes become handstands as D’Amico and Gift perform a series of clinches and grasps. Meanwhile Wheeller captivates the audience balancing on the Cyr Wheel as he goes it alone… And before the end of the show they strip down to their underwear showing their fantastic... er... form by creating a human pyramid.

The piece explores the boundaries and limits of male companionship. Trust, the essence of relationships and the boundaries of support and personal space. Much of the humour is derived from challenging what is considered to be acceptable non-sexual behaviour between men (much to the titillation of the audience).

The performers relish this ambiguity and these boundaries... Is it just friendship or is it something more. But it is a thoughtful examination of how it is possible to use acrobatics, movement, dance and theatre to provide  insight into what makes us who we are.

Yet another amazing piece of circus theatre at the Udderbelly, Bromance runs on the South Bank until 19 July. Don't miss it.

⭐︎⭐︎⭐︎⭐︎

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