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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Sultry and sweaty: In The Dead of Night @LandorTheatre


A sexy cast, terrific dancing and high drama make In The Dead of Night a fun, fascinating and classy take on the film noir thrillers of old Hollywood. The dialogue is clipped, the dancing is tight and the bodies are hot. So hot you can smell the sweat coming off them. Or it might be baby oil looking like sweat... The Landor Theatre is a pretty intimate space so sometimes nothing is left to the imagination.

In the Dead of Night is set in a dodgy South American shanty town at the end of the war, and  everyone is on the take. The men work on the docks. The women sell their bodies. And if the men are up for it they sell their bodies too.



Even before the action starts, as you take your seats you feel as if you have been transported to a steamy, sordid little latin bar. The lights, the shadows and atmosphere set the tone for the next two hours.

Crime, corruption and cheap thrills are what keeps the town in business. Elvira, the local madam and owner of a cheap tequila bar keeps watch over everything. Like the best film noir pictures, it is pure melodrama and tragedy, but here the piece takes the conventions and smart talk up a notch, exploding into passion and sensual dancing that you would never see back in old Hollywood (at least not on screen).

It’s a clever mix of drama and dance by writer director Claudio Macor, choreographer Anthony Whitman and music by Paul Boyd. There are some memorable scenes where the drama builds into some clever dance sequences underscoring the tension.

Keeping it together is a terrific cast made up of stage veterans and newcomers. Judith Paris as the femme fatale Elvira gives a passionate and exciting turn as the old resourceful madam. Susannah Allman oozes sensuality as Rita and looks fantastic as she wanders around stage in not very much. Matt Mella as Leandro and Jordan Alexander as Massimo, the gay couple with a complicated relationship have a terrific testosterone-charged tango scene that is a revelation to watch.

Richard Lambert’s lighting is also the other star of the show with its shadows and piercing light.

The Landor Theatre has yet another terrific production, full of passion, dance and hot (and sweaty) bodies. In The Dead of Night runs at the Landor Theatre until 16 May.

⭐︎⭐︎⭐︎⭐︎

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