Featured Post

He had it coming: Burnt Up Love @finborough

Image
Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

Flipping hell: A Simple Space @Udderbellyfest @GOM_Circus


A Simple Space, by Australian-based circus troupe Gravity and Other Myths, is the latest round of circus offering at the Udderbelly Festival at the Southbank Centre.

Between the amazing feats of acrobatics you can hear a constant sound. The sound of heavy breathing. It is coming from the stage. This is pretty intense stuff here and the energy and sweat from the performers is audible and palpable. And in the space of the giant purple cow, where you are up close to the performers, it seems much more intense and intimate.


The title of the show suggests what is in store. There is nothing fancy but some terrific performances by the young and enthusiastic troupe as they do things that you wouldn’t think possible for the body to be able to do.

There is a segment that is a back flips competition where each performer back flips to the point of exhaustion. Watching the performers up close strain and exert to backflip again and again to the point of exhaustion, using up whatever energy reserves they have, seems like it could be considered cruelty to nice young acrobats. But it is also an impressive spectacle.


Other highlights include a rapid strip-skipping and various painful looking balancing acts on each others faces and other body parts. Audience participation is limited to throwing little coloured balls at the performers while they try to remain upside down on their hands.

While the staging may be pared back, and there are not any glitzy costumes (although there are quite a few spectacular looking bodies up there), its simplicity and live percussion accompaniment make for a slick production.

And given the spontenaity of the show (and the nature of the acrobatics) no show is probably the same and worth a look once or twice.

It is on at the Southbank Centre as part of the Udderbelly Festival until 24 May.

⭐︎⭐︎⭐︎⭐︎

Production photos by Chris Herzfeld







A Simple Space Promo 2015 from Gravity & Other Myths on Vimeo.

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...