Featured Post

Heavy meta: Why am I So Single? @sosinglemusical

Image
Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Music for desperate nights: Desperate Divas @St_JamesTheatre

Desperate Divas
It was only for one night, but hopefully it won’t be too long before we see the Desperate Divas return (if they can find the time between their busy schedules).

Tiffany Graves and Anita Louise Combe presented their show last Sunday about love and the fruitless pursuit of it. It was inspired by their real-life adventures dating men (and sometimes the same men). Both are exceptional singers with long careers on the West End. Their voices and be powerful yet nuanced - and when singing together they produced some sublime harmonies in this show.


The premise was that they are two young ladies on the internet dating scene. The most memorable moments from the evening came from the lesser known songs. Combe’s performance of Where In The World is My Prince, from William Finn and James Lapine’s musical Little Miss Sunshine, was a delight. Graves was sweet singing about unrequited like in Scott Burkell and Paul Loesel’s song, Parsley. Combe also played up her Australian roots, with My Shattered Illusion (or pronounced in Australian, Moye Shaahturd Eelooshon).

They capitalised on what seems to be a regular occurrence at cabaret performances nowadays, people taking photos, to encourage everyone to take pictures and live tweet it. It has been a while since I live tweeted anything but this time at least it was something lovely (well the ladies are lovely, the quality of the photography is a bit suspect). Of course when your audience takes the pictures they may not show your best side...

Graves and Combe closed their show with music from Chicago. Both had appeared at various times in the Kander and Ebb musical. Their familiarity with with the material came through as they sung Class with a bitterness in the phrasing that made seem fresh and new.

As they explain in the show, it has taken them a while from coming up with the idea to do the show to actually putting it on as they are both getting ready to appear in new shows. Graves will be seen in the touring production of The Producers as "If you got it, flaunt it" Ulla. Combe will be the demure Tessie Tura in Gypsy. But hopefully it won’t be too long before we see them appear again in their cabaret show.

⭐︎⭐︎⭐︎

First impressions with @johnnyfoxlondon are as follows…

listen to ‘Desperadoboom: first impressions of Desperate Divas @cabaretdivas with @johnnyfoxlondon’ on audioBoom

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...