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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Music for desperate nights: Desperate Divas @St_JamesTheatre

Desperate Divas
It was only for one night, but hopefully it won’t be too long before we see the Desperate Divas return (if they can find the time between their busy schedules).

Tiffany Graves and Anita Louise Combe presented their show last Sunday about love and the fruitless pursuit of it. It was inspired by their real-life adventures dating men (and sometimes the same men). Both are exceptional singers with long careers on the West End. Their voices and be powerful yet nuanced - and when singing together they produced some sublime harmonies in this show.


The premise was that they are two young ladies on the internet dating scene. The most memorable moments from the evening came from the lesser known songs. Combe’s performance of Where In The World is My Prince, from William Finn and James Lapine’s musical Little Miss Sunshine, was a delight. Graves was sweet singing about unrequited like in Scott Burkell and Paul Loesel’s song, Parsley. Combe also played up her Australian roots, with My Shattered Illusion (or pronounced in Australian, Moye Shaahturd Eelooshon).

They capitalised on what seems to be a regular occurrence at cabaret performances nowadays, people taking photos, to encourage everyone to take pictures and live tweet it. It has been a while since I live tweeted anything but this time at least it was something lovely (well the ladies are lovely, the quality of the photography is a bit suspect). Of course when your audience takes the pictures they may not show your best side...

Graves and Combe closed their show with music from Chicago. Both had appeared at various times in the Kander and Ebb musical. Their familiarity with with the material came through as they sung Class with a bitterness in the phrasing that made seem fresh and new.

As they explain in the show, it has taken them a while from coming up with the idea to do the show to actually putting it on as they are both getting ready to appear in new shows. Graves will be seen in the touring production of The Producers as "If you got it, flaunt it" Ulla. Combe will be the demure Tessie Tura in Gypsy. But hopefully it won’t be too long before we see them appear again in their cabaret show.

⭐︎⭐︎⭐︎

First impressions with @johnnyfoxlondon are as follows…

listen to ‘Desperadoboom: first impressions of Desperate Divas @cabaretdivas with @johnnyfoxlondon’ on audioBoom

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