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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Cold dark killers: Assassins @menchocfactory


Finally caught Assassins at the Menier Chocolate Factory. This dark and grim piece of musical theatre is re imagined as a funfair where the cast of would-be and actual assassins of US Presidents tell their stories like a bunch of grim clowns. But it comes across heavy handed and lacking much irony.

Staging a musical with this subject matter is always going to be a challenge, but both the material and the production don't really dig too much into the obsessive gun culture that is part of the country's DNA. Compared to The Scottsboro Boys, another musical based on an unpleasant subject, there is none of the bitterness or outrage presented ironically as a song and dance musical.


It is a gloomy theme park ride, with the best laugh coming at the beginning when the character the proprietor pops out of a giant clowns mouth. At this point the lady sitting next to me to let out an almighty yelp, which in turn led me to yelp a little...

Perhaps it was an off night following the cancellation of Thursday's show due to cast illness. The sound at times seemed murky and some of the cast were struggling with the notes and timing. And  when it's a Sondheim musical, it is probably never a good idea to have the performers seem so distant from the band and its musical director.

There has also been a cast change with Michael Xavier and Anna Francolini taking over from Aaron Tveit and Catherine Tate respectively. Both are strong replacements and highlights in the show.

The run has now sold out but there may be a transfer in the future. A history lesson for those who like their musicals dark, relentless and a bit obvious.

⭐︎⭐︎⭐︎


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