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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Cold dark killers: Assassins @menchocfactory


Finally caught Assassins at the Menier Chocolate Factory. This dark and grim piece of musical theatre is re imagined as a funfair where the cast of would-be and actual assassins of US Presidents tell their stories like a bunch of grim clowns. But it comes across heavy handed and lacking much irony.

Staging a musical with this subject matter is always going to be a challenge, but both the material and the production don't really dig too much into the obsessive gun culture that is part of the country's DNA. Compared to The Scottsboro Boys, another musical based on an unpleasant subject, there is none of the bitterness or outrage presented ironically as a song and dance musical.


It is a gloomy theme park ride, with the best laugh coming at the beginning when the character the proprietor pops out of a giant clowns mouth. At this point the lady sitting next to me to let out an almighty yelp, which in turn led me to yelp a little...

Perhaps it was an off night following the cancellation of Thursday's show due to cast illness. The sound at times seemed murky and some of the cast were struggling with the notes and timing. And  when it's a Sondheim musical, it is probably never a good idea to have the performers seem so distant from the band and its musical director.

There has also been a cast change with Michael Xavier and Anna Francolini taking over from Aaron Tveit and Catherine Tate respectively. Both are strong replacements and highlights in the show.

The run has now sold out but there may be a transfer in the future. A history lesson for those who like their musicals dark, relentless and a bit obvious.

⭐︎⭐︎⭐︎


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