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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Old doge: I Due Foscari @TheRoyalOpera

Plácido Domingo in I due Foscari © ROH/Catherine Ashmore, 2014
The Royal Opera's production of I Due Foscari which opened last week is a chance to see Plácido Domingo in an age-appropriate role.

Verdi's opera is intriguing for its use of leitmotifs for each of the principal roles, but lacks much dramatic fire, other than to see the predictable  tragedy of an ageing ruler weakened and lose everything.

Thankfully it is short but it is also give much more interest with some star power and seems a perfect vehicle for Domingo.

When his voice was at his strongest, you could also be forgiven for thinking he was back in tenor territory with its rich and bright sound. And at 73, it is an event to watch see such an experienced master at work.



Plácido Domingo and Francesco Meli in I due Foscari © ROH/Catherine Ashmore, 2014The star power was shared with Francesco Meli as his condemned son Jacopo, and Maria Agresta as Jacopo's wife.

Maria Agresta and Plácido Domingo in I due Foscari © ROH/Catherine Ashmore, 2014
There was plenty of passion in their voices and some sublime subtle harmonies with the three principals together.

A night to remember for the performances and the fine music making, even if the opera is probably an acquired taste.

I Due Foscari is a co production with Los Angeles Opera, Palau De Les Arts Reina Sofía, Valencia and Theater An Der Wien, Vienna.

It runs for five more performances up to 2 November. Tickets are currently available.

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Photo credit: Production photos by Catherine Ashmore

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