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I Miss The Mountains: Fly More Than You Fall @Swkplay

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Losing a parent when you’re still figuring out who you are and your place in the world seems like a bummer of a topic for a musical. But somehow, Fly More Than You Fall tackles grief and loss with a light touch, catchy music and enthusiastic performances. While it may not offer great insight into the exploration of grief, it gives pause for thought and a few laughs on the way. After all, death doesn’t take a holiday, and nobody gets out of here alive. We just hope it doesn’t happen too soon. It’s currently playing at Southwark Playhouse Elephant .  We first meet Malia as she prepares for summer writers' school. She aspires to be a writer and has a story in development. Encouraged by her mother to keep going, she is looking forward to the summer. But the summer school is cut short when her mother is diagnosed with stage four cancer. Back home so her mother can spend her last days with her family, Malia has to grow up quickly and find her voice while watching her mother slip away.  T

Life among the poppies: Shoot I Didn't Mean That / The Last Days of Mankind @Tristanbates

Is it okay to smile and take a selfie when you visit a memorial or make a nazi salute gesture in Austria? Maybe even write something glib in the visitors book at the Anne Frank museum? If you did not know the answer to these questions, Shoot I Didn't Mean That starts to explores the implications of doing things like this.

Catriona Kerridge's dark comedy looks in to the strange and surreal downfall of four women as they become fascinated and then obsessed by the politics of The Great War.


In an era of conflict tourism and ongoing global crises, Juliet finds herself making an obscene gesture in a Viennese flea market and finds herself in jail. Two schoolgirls get carried away at a Remembrance Day service and an interpreter loses her voice and her mind listening the antiseptic responses from present day politicians. It's funny but thought provoking as well.

Running along side this new work is the harrowing epilogue to The Last Days of Mankind by Karl Kraus. This part of this epic work is an expressionistic and apocalyptic vision of a world. While Kerridge's work is a response to this piece, played together it becomes apparent how distant modern life is from real horrors.

In a year when light shows and ceramic flowers are stylistically commemorating the outbreak of WW1, this serves as a stark reminder that war is always hell.

It runs at the Tristan Bates Theatre until 18 October and contains replica weapons, haze and some frightening looking gas masks.

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